Navnesymbolik

Jeg husker da min dansklærer i niende klasse fortalte, at navnesymbolik var almindeligt brugt også i “seriøs” litteratur. Det var vist i forbindelse med en gennemgang af Fiskerne, i hvilken en intrigant biperson hedder Splid eller Spliid. At dømme efter de vantro grin i klassen, var det ikke noget ret mange havde forventet at støde på uden for Anders And.

Jeg kan sagtens se navnesymbolik som en forsvarlig del af en forfatters værktøjskasse, men jeg synes også det meget nemt kan blive lige konstrueret nok. Som fx Salingers Seymour Glass, som min engelsklærer i gymnasiet påpegede var både klartseende og skrøbelig. OK så. Men lidt komisk forekommer det mig nu alligevel, så meget hænger min barndoms Disney-læsning stadig ved – og et eller andet sted er der altså også noget mere ærligt over et in-your-face-navn som Blabaway Utterbunk (tak til Carl Barks for det!)

På den anden side – står virkeligheden egentlig tilbage for fiktionen? Fra sportens verden kender vi håndboldspilleren Joachim Boldsen, tennisspilleren Anna Smashnova og sprinteren Usain Bolt, og jeg har noteret mig mange andre eksempler i årenes løb. For nylig læste jeg bogen Quirkology af Richard Wiseman. Den indeholder et kapitel om forskning der peger på, at folks navne kan influere deres livsvalg, fx hvilke stillinger de ender i. Jeg stiller mig nu en smule skeptisk, men eksemplerne er herlig læsning:

In addition to being interesting in its own right, Pelham’s work may at last provide an explanation for an effect that has fascinated psychologists for decades: Why does the meaning of people’s surnames so often match their chosen occupation?
     In 1975, Lawrence Casler from the State University of New York at Geneseo compiled a list of over 200 academics working in fields associated with their last names. Casler’s list includes an underwater archeologist called Bass, a relationship counsellor called Breedlove, a taxation expert named Due, a medic studying diseases of the vulva called Hyman, and an educational psychologist examining parental pressure called Mumpower. In the later 1990s, New Scientist magazine asked readers to send in similar examples from their own lives. The resulting list included music teachers Miss Beat and Miss Sharp, members of the British Meteorolical office called Flood, Frost, Thundercliffe and Weatherall, a sex counsellor named Lust, Peter Atchoo the pneumonia specialist, a firm of lawyers named Lawless and Lynch, private detectives Wyre & Tapping, and the head of a psychiatric hospital, Dr McNutt. My own favourites are the authors of the book A Student’s Guide to the Seashore, John and Susan Fish.
     Pelham’s work suggests that examples like this may not be entirely the result of chance, but rather of some people being unconsciously drawn to occupations related to their name. As a professor of psychology called Wiseman, I am in no position to be sceptical about the theory.

Bogen Freakonomics af Steven D. Levitt og Stephen J. Dubner indeholder et lignende kapitel om navnes indflydelse. Pudsigt i sig selv at Quirkology og Freakonomics er samme type bøger, lufthavnsvenlige (“stuffed with the kind of offbeat insight that people find irresistible” skrev The Times om førstnævnte), og tilmed med usædvanlige titler skåret over samme læst.

Bret Easton Ellis

Har netop læst White, en samling selvbiografiske skriverier af Bret Easton Ellis. Jeg har visse anker – der bruges fx lang tid på detaljerede beskrivelser af specifikke film, som jeg har svært ved at se kan være interessante for en læser der ikke i meget høj grad deler Ellis’ æstetiske og seksuelle præferencer. Finder også Ellis’s brug af de betegnelserne “Empire” og “Post-Empire” småprætentiøse (de er selvopfundne og bliver ikke forklaret her, jeg måtte søge mig til en definition på nettet: Ellis betegner med “Empire” USA i tiden fra efter Anden Verdenskrig til kort efter 9-11).

Imidlertid opvejes disse indvendinger for mig af Ellis’ betragtninger om moderne fænomener som identitetspolitik, krænkelseskultur og det absurde massehysteri, der har hersket efter præsidentvalget i USA 2016. Det føles som en gedigen lettelse for en gangs skyld at støde på en moderne forfatter, der ikke bræger med i det sædvanlige kor.

During the winter of 2016 and into 2017 I myself began to resist the meltdowns I’d been witnessing at dinners and on social media and late-night TV, and too many times in my own home, in the aftermath of Trump’s victory. I found myself resisting, too, the hysterical wails about this unfair disruption of the status quo, aka the Establishment, which itself decried the dismantling of the political narrative we’d all grown accustomed to and that had eagerly expected the Obama era to effortlessly resume with another Clinton in the White House. (This had alarmed me during the campaign, suggesting as it did a movement backward instead of forward, regardless of this Clinton’s gender.) When this didn’t happen, well, it was just too much for some people to accept. This wasn’t the usual disappointment about election results – this was fear and horror and outrage that it seemed would never subside and not just for members of Generation Wuss, like my partner, but also for real grown-ups in their forties and fifties and sixties, so unhinged that their team hadn’t won they began using words like “apocalypse” and “Hitlerian”. Sometimes, when listening to friends of mine, I’d stare at them while a tiny voice in the back of my head started sighing, You are the biggest fucking baby I’ve ever fucking heard in my entire fucking life and please you’ve got to fucking calm the fuck down – I get it, I get it, you don’t like fucking Trump but for fuck’s sake enough already for fuck’s sake.

Spot on, ligesom hans karakteristik af de sociale mediers stadigt mere snævre ekkokamre af “rigtige meninger”:

The shunning of others who don’t think like you had moved past protest and resistance into childlike fascism, and it was becoming harder and harder to accept these exclusionary tactics. The differing political viewpoints were judged as immoral, racist and misogynist. This constant shrieking by the unconsoled was, for me, beyond tiresome, a high-pitched drone that never moved the needle. I figured that you might not like someone’s politics or even his or her worldview but could still learn something useful and then move on. But if you look at everything only through the lens of your party or affiliation, and are capable of being in the same room only with people who think and vote like you, doesn’t that make you somewhat uncurious and oversimplifying, passive-aggressive, locked into assuming you are riding the high moral tide, without ever wondering if you might not, in the eyes of others, be on the very bottom?

Dette fra en kulturpersonlighed, tilmed en med Hollywoodtilknytning. Uventet og forfriskende. Tak for det.

Nis Petersens værste plageånd

Et af mine dejligste 20-kroners fund nogensinde er et smukt eksemplar af Sandalmagernes Gade, som jeg fandt ved et hollandsk udsalg for et par år siden. “Til min værste plageånd” har Nis Petersen skrevet i den, og da bogen er forsynet med Hans Müller-Kristiansens Eks Libris, er det nærliggende at tro det er ham der er den omtalte plageånd. Men hvad er forbindelsen mellem de to herrer? Nogen der ved hvad der kunne ligge bag her?

Bogen er smukt indbundet, men Petersens navn er stavet forkert på bogryggen! Lige sådan noget man kunne forestille sig en plageånd ville foranledige…